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Interesting Questions . . . |
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A. First, I'm not familiar with the maker you mentioned. Early in the 20th Century there were many small instrument builders in France, so that's not surprising. The sax could be from a small, unknown shop, or it could be a stencil of a larger shop. SML and Buffet are known to have done numerous stencil saxes. An SML may have rolled tone holes. The Buffets have straight tone holes. I've also seen some Keilwerth stencils that said Paris or France on them, even though they're German horns. All the Keilwerth stencils I've seen have rolled tone holes. The French sometimes hide serial numbers under keywork. Sometimes they're on the back of the bell, down near the bow joint. Sometimes there are numbers stricken on the backs of keys such as G# or the palm & side keys. The right hand bell keys pretty much confirm the European origin. Of the USA vintage saxes only the post 1934 Kings, the Buescher 400 and some later Holtons had right bell keys. Only Holton would have made a stencil with both right bell keys, and oddly, some Holtons had extra trill keys. Holton placed a high C/D trill key just above and to the right of the high E key. It was Additional Comments 1874 is about the time Adolph Sax's original patents on the saxophone would have been expiring. Many instrument makers rushed into saxophone production as a result. |
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